LONDON — As a young boy, Clash guitarist Mick Jones would chase his football idols all over London for autographs. Then he discovered music and dropped the autograph book but not his manic collecting.
Over the years, the 53-year-old co-founder of one of punk’s biggest bands has amassed a mammoth collection of books, magazines, records, posters alongside artwork, recording gear, stage clothes and song lyrics from his time with The Clash and his other bands Big Audio Dynamite and Carbon/Silicon.
Mr. Jones is finally showing this personal archive of popular culture at London’s Chelsea Space gallery in an exhibit called the “Rock and Roll Public Library” that runs until April 18.
“I started collecting things when I was very young and I did not really know why. Then at the Millennium, the change of the century, it started to become clear. I realized I wanted to share it,” Mr. Jones explained.
“It’s a fantastic collection people can take great pleasure from and also learn something.”
Mr. Jones, who went to Hammersmith art school before co-founding The Clash in 1976, says he thinks of the collection as “one big living artwork” that he is still working on. Many of the items on display had been crammed into his west London recording studio for years and he couldn’t even guess how many pieces he owns.
“I have kept everything, if it exists it’s probably there somewhere.”
An only child, whose parents divorced when he was eight, Mr. Jones says he started collecting odds and ends as a way to create his own world. Football and later music became escapes for a boy left “with little parental control.”
“If you are like a young working class boy in London, you have to make a choice between sport or music. I made the choice for music.”
The installation, which seeks to recreate Mr. Jones’ recording studio and adjoining store room, offers a rare insight into the life, times and influences of the musician.
Album covers dangling on threads from the ceiling like mobiles, books and films about Elvis Presley, Johnny Cash, Frank Sinatra, the Beatles and the Rolling Stones testify to Mr. Jones’s deep and obsessive love of music.
As a teenager Mr. Jones recalls “bunking” fares to follow his favourite bands like Mott the Hoople or Rod Stewart and the Faces around the country or standing outside Mick Jagger’s house in London trying to get a glimpse of an idol. “We used to stand outside like urchins. I was a stalker then. I never knew I would have my own stalkers one day.”
The late Johnny Thunders was a key influence. The New York Dolls guitarist was the reason a young Mr. Jones can be seen donning platform shoes on some pictures taken in his pre-punk glam days.
Many of the music magazines and fanzines on display have deep personal meaning. Mr. Jones recalls that his mother, who moved to the United States when he was a young boy, used to send him issues of Creem and Rock Scene magazines every month.
Creem’s star writer Lester Bangs wrote about the early New York punk scene and artists such as Patti Smith and The Ramones.
“I was really up on that stuff while not many people here were. Bangs was one of their main writers. So it was such a joy to get to know him when he came to write about us.”
Mr. Bangs wrote a famous article about The Clash in a 1977 review for the New Musical Express (NME).
Also on display are Clash memorabilia such as the famous pink flight cases, plane tickets, access badges or a hastily scribbled note to Mr. Jones by Clash frontman, the late Joe Strummer.
True to his punk ideals, Mr. Jones hopes the collection can one day become a permanent and freely available resource.
“Ultimately I’d like to have a permanent place to exhibit the whole collection like a museum, like a library where you can come and see the stuff and maybe get a copy or sit there and read it. I also would like to bring artists there because it’s history really.”
Mr. Jones would not pick a favourite item among the whole collection but admits his old footballer’s autograph book is now “one of my most treasured possessions.”
“I have the whole England World Cup winning squad. The managers, the trainers, everything. That was 1966 when we won the World Cup. Biggest thing ever !”
While a punk encyclopedia seems like an oxymoron, music writer and musician Cogan nicely succeeds in producing a useful resource illustrating the urgency and importance of punk rock from its mid-1970s start to the movement’s vitality in the present day. A plethora of great photos—from the Clash and the Sex Pistols to newcomers Groucho Marxists and the Shemps—accompany knowledgeable, fascinating and fast-paced entries that illuminate punk bands’ struggle to survive (the Ramones were paid only $5,000 for their starring role in Rock ‘n’ Roll High School in 1979) while avoiding being co-opted by the mainstream music biz.
About the film
The Clash: Westway to the World is a 2000 documentary film about the British punk rock band The Clash. Directed by Don Letts, the film combines old footage from the band’s personal collection filmed in 1982 when The Clash went to New York with new interviews conducted for the film by Mal Peachey of members Mick Jones, Paul Simonon, Topper Headon, and Joe Strummer and other people associated with the group. In 2003 it won the 


