Album: Plastic Surgery Disasters / In God We Trust Inc.

Rating: 4/5

If you only buy one Dead Kennedys album, it’s gotta be ‘Plastic Surgery Disasters‘, which captured this legendary San Francisco punk band at the top of their game. It now includes ‘In God We Trust, Inc.’, a short collection of DK gems, making it nearly impossible to pack more energy onto a single CD. Right out of the gate, this album is raw, explosive, and relentlessly confrontational. The band’s unmistakable sound is as “in your face” as Jello Biafra’s scathing lyrics, which damn American society in hilarious fashion. No one is spared, as each song takes aim and fires away at one type of fraud or another. The government, religion, materialism, violence, cops, doctors, the rich, elitists, racists, homophobes, posers, jocks, science, and politicians- all face the firing squad of Biafra’s scorn.

Somewhere in the fray, there’s a bullet or two aimed at every one of us, and when we’re hit, it’s just as easy to laugh at ourselves. The lyrics are cynical and often sarcastic, but extremely smart and at times, even prophetic. They’re as relevant today as they were then- if not more so. Musically, Plastic Surgery Disasters is, in my opinion, DK’s most adventurous and technically brilliant work. It’s also their most “refined” album, production-wise, but it stops well short of commercial glossiness. It’s a true punk classic…

The album features 19 tracks and the first single, “Last One To Die,” will premiere April 7 in a widget available now at Rancid’s MySpace page. The 25 fans who spread the widget the most online will receive tickets to Rancid’s summer tour with Rise Against.

Let The Dominoes Fall tracklist:
1. East Bay Night
2. This Place
3. Up To No Good
4. Last One To Die
5. Disconnected
6. I Ain’t Worried
7. Damnation
8. New Orleans
9. Civilian Ways
10. The Bravest Kids
11. Skull City
12. L.A. River
13. Lulu
14. Dominoes Fall
15. Liberty and Freedom
16. You Want It, You Got It
17. Locomotive
18. That’s Just The Way It Is Now
19. The Highway

The band is also planning to debut the first single from the record, “Know Your Enemy,” in mid-April through digital retailers and radio. Spin describes the song as “like an outtake from the Dookie sessions.”

The record is their first since 2004′s American Idiot.

Lets hope we hear some of those catchy rifts from the 1990s version of Green Day!

Over the years, the 53-year-old co-founder of one of punk’s biggest bands has amassed a mammoth collection of books, magazines, records, posters alongside artwork, recording gear, stage clothes and song lyrics from his time with The Clash and his other bands Big Audio Dynamite and Carbon/Silicon.

Mr. Jones is finally showing this personal archive of popular culture at London’s Chelsea Space gallery in an exhibit called the “Rock and Roll Public Library” that runs until April 18.

“I started collecting things when I was very young and I did not really know why. Then at the Millennium, the change of the century, it started to become clear. I realized I wanted to share it,” Mr. Jones explained.

“It’s a fantastic collection people can take great pleasure from and also learn something.”

Mr. Jones, who went to Hammersmith art school before co-founding The Clash in 1976, says he thinks of the collection as “one big living artwork” that he is still working on. Many of the items on display had been crammed into his west London recording studio for years and he couldn’t even guess how many pieces he owns.

“I have kept everything, if it exists it’s probably there somewhere.”

An only child, whose parents divorced when he was eight, Mr. Jones says he started collecting odds and ends as a way to create his own world. Football and later music became escapes for a boy left “with little parental control.”

“If you are like a young working class boy in London, you have to make a choice between sport or music. I made the choice for music.”

The installation, which seeks to recreate Mr. Jones’ recording studio and adjoining store room, offers a rare insight into the life, times and influences of the musician.

Album covers dangling on threads from the ceiling like mobiles, books and films about Elvis Presley, Johnny Cash, Frank Sinatra, the Beatles and the Rolling Stones testify to Mr. Jones’s deep and obsessive love of music.

As a teenager Mr. Jones recalls “bunking” fares to follow his favourite bands like Mott the Hoople or Rod Stewart and the Faces around the country or standing outside Mick Jagger’s house in London trying to get a glimpse of an idol. “We used to stand outside like urchins. I was a stalker then. I never knew I would have my own stalkers one day.”

The late Johnny Thunders was a key influence. The New York Dolls guitarist was the reason a young Mr. Jones can be seen donning platform shoes on some pictures taken in his pre-punk glam days.

Many of the music magazines and fanzines on display have deep personal meaning. Mr. Jones recalls that his mother, who moved to the United States when he was a young boy, used to send him issues of Creem and Rock Scene magazines every month.

Creem’s star writer Lester Bangs wrote about the early New York punk scene and artists such as Patti Smith and The Ramones.

“I was really up on that stuff while not many people here were. Bangs was one of their main writers. So it was such a joy to get to know him when he came to write about us.”

Mr. Bangs wrote a famous article about The Clash in a 1977 review for the New Musical Express (NME).

Also on display are Clash memorabilia such as the famous pink flight cases, plane tickets, access badges or a hastily scribbled note to Mr. Jones by Clash frontman, the late Joe Strummer.

True to his punk ideals, Mr. Jones hopes the collection can one day become a permanent and freely available resource.

“Ultimately I’d like to have a permanent place to exhibit the whole collection like a museum, like a library where you can come and see the stuff and maybe get a copy or sit there and read it. I also would like to bring artists there because it’s history really.”

Mr. Jones would not pick a favourite item among the whole collection but admits his old footballer’s autograph book is now “one of my most treasured possessions.”

“I have the whole England World Cup winning squad. The managers, the trainers, everything. That was 1966 when we won the World Cup. Biggest thing ever !”